Sandra’s Story

Age UK - Commercial

THE BRIEF

Age UK is a UK charity dedicated to supporting older people and addressing issues such as isolation, financial hardship and declining wellbeing. With nearly two million older people in the UK living in poverty, many experience loneliness in ways that often go unseen. The brief for this campaign centred on bringing those realities to the forefront while encouraging audiences to take action.

From a production standpoint, the film needed to strike a careful tonal balance. The narrative had to sensitively acknowledge the challenges of loneliness while also highlighting the hope and support available through Age UK’s services. Achieving this balance was essential — leaning too far in either direction risked diminishing the emotional impact of the story or the strength of the campaign’s call to action. Working with vulnerable contributors also required a respectful, patient approach on set, ensuring the filmmaking process felt comfortable and collaborative for those involved.

The film formed part of Age UK’s wider Christmas campaign addressing loneliness. Our story followed contributors Sandra and Michael, both of whom experience isolation in their daily lives. Through Age UK’s Telephone Friendship Service, they were able to reconnect with others, offering a simple but powerful reminder of the importance of human connection.

THE VISUALS

Throughout pre-production, the client was clear that the visual language needed to be intrinsically aligned with the subject matter — particularly as the films would form part of a wider multi-channel campaign. Establishing a cohesive and purposeful aesthetic was therefore fundamental from the outset.

In response, I developed a cinematic approach that both honoured the campaign’s existing visual identity and remained true to my own sensibilities as a cinematographer. The core look embraced a gritty palette of cooler, desaturated tones, underpinned by pronounced grain to evoke a sense of nostalgia and emotional texture. This visual treatment grounded the narrative in authenticity while maintaining a crafted, filmic quality.

In contrast, I introduced a complementary palette of warmer, brighter tones for select moments — subtly shifting the atmosphere to support the campaign’s messaging around optimism and the value of Age UK’s services. This interplay between tonal worlds allowed the film to balance realism with hope, reinforcing the emotional arc without compromising visual cohesion.

I chose Canon SK primes for this shoot for the way they render darker tones with depth and subtle texture. Their characterful bokeh and gentle fall-off from sharpness into softness — particularly when shot wide open — helped shape a more atmospheric image. The lenses complemented the mood of the piece, reinforcing a cinematic feel without becoming visually distracting.

CAMPAIGN FILMS

Michael’s Story

Hero Film

CREDITS

Production Company: Raw London

Client: Age UK

Director: Lee Jones

Kit Supplied by One Stop Films, Cameraworks and Adam Hudson

FORMAT

Sony FX9 and Sony FX3 with Canon SK lenses

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